"BIG MAMA" UP CHAIR BY GAETANO PESCE FOR B&B ITALIA, ITALY, CIRCA 2000
It was 1968 when Gaetano Pesce began experimenting at his Paris atelier with vacuum-packing the hippest material of the moment: polyurethane. Soon he’d developed a gravity-defying model: a four-inch-thick disk that, when removed from its PVC envelope, would rise from the floor into a cushy armchair. Fittingly, he named it Up. The form that emerged was no typical seat. Its bulbous shape, inspired by silhouettes of ancient fertility goddesses and accompanied by an ottoman, was rife with meaning.
Reference Number: B8933
It was 1968 when Gaetano Pesce began experimenting at his Paris atelier with vacuum-packing the hippest material of the moment: polyurethane. Soon he’d developed a gravity-defying model: a four-inch-thick disk that, when removed from its PVC envelope, would rise from the floor into a cushy armchair. Fittingly, he named it Up. The form that emerged was no typical seat. Its bulbous shape, inspired by silhouettes of ancient fertility goddesses and accompanied by an ottoman, was rife with meaning.
Reference Number: B8933
It was 1968 when Gaetano Pesce began experimenting at his Paris atelier with vacuum-packing the hippest material of the moment: polyurethane. Soon he’d developed a gravity-defying model: a four-inch-thick disk that, when removed from its PVC envelope, would rise from the floor into a cushy armchair. Fittingly, he named it Up. The form that emerged was no typical seat. Its bulbous shape, inspired by silhouettes of ancient fertility goddesses and accompanied by an ottoman, was rife with meaning.
Reference Number: B8933
DESCRIPTION
It was 1968 when Gaetano Pesce began experimenting at his Paris atelier with vacuum-packing the hippest material of the moment: polyurethane. Soon he’d developed a gravity-defying model: a four-inch-thick disk that, when removed from its PVC envelope, would rise from the floor into a cushy armchair. Fittingly, he named it Up. The form that emerged was no typical seat. Its bulbous shape, inspired by silhouettes of ancient fertility goddesses and accompanied by an ottoman, was rife with meaning.
Furniture manufacturer B&B Italia (then known as C&B) produced the seat the next year. It was innovative, it was easily transported, it was the future. Or so the firm thought. In 1973 B&B Italia ceased production of Up after discovering that Freon, the leavening ingredient mixed with polyurethane, was harmful to the ozone layer. But the chair had already made a name for itself… actually several. Referred to as La Mamma, Big Mama, and Donna, nearly 50 years later the icon (B&B introduced a Freon-free version in 2000) has developed quite a following (fashion designer Lisa Perry; Princess Gloria von Thurn und Taxis). Jeanne Greenberg Rohatyn, who has shown Pesce’s work at her New York gallery Salon 94, calls it “practical radical.”
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CONDITION
In Good Condition - Some wear and tear to the seating area, lacking elasticated string that connects the chair to the ottoman. Overall condition consistent with normal use, please refer to photographs.
SIZE
Chair Height: 103cm
Chair Width: 120cm
Chair Depth: 130cm
Chair Seat Height: 42cm
Ottoman Diameter: 57cm
